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Fujifilm GFX 100S Body Only ~ Free Dual Charger BC-W235

 
Our Price £5,489.00
   Our Price £5,489.00
Condition:
Product code: 16674011
GFX 100S Body Only

												

GFX100S builds on the ground-breaking ideas from the FUJIFILM GFX100, with a philosophy of mobility and portability, to create a camera that is positioned to provide creatives with an opportunity to take large format image-making to places it has never been before.

Refusing to sacrifice performance for portability has allowed Fujifilm to create one of the most compact, high performance large format cameras in the world. It is more advanced than any GFX System camera to date and combines the best of Fujifilm’s imaging technology into a camera that weighs just 900g (1.9lb). Similar in size to most full-frame cameras, but beautifully engineered and designed to house a 102MP sensor - that is 1.7 times larger*2 than a full-frame sensor - GFX100S also offers up to 6-stops*1 of five-axis in-body image stabilisation (IBIS), incredibly fast and accurate autofocus, and world-renowned colour reproduction to help image makers push the limits of their creativity.

*1 When using the FUJINON Lens GF63mmF2.8 R WR

*2    GFX100S’s image sensor measures 55mm diagonally (43.8mm x 32.9mm), providing approx. 1.7 times the area of the 35mm full-frame sensor

Key Features:

102MP Images made at the speed of a compact mirrorless camera that only large format can provide.

Powered by Fujifilm’s high-performance quad-core X-Processor 4 CPU, GFX100S utilises its 102MP, back-illuminated large format CMOS sensor to deliver images with stunning quality. Compared to smaller, lower-resolution sensors commonly found in traditional full-frame DSLR and mirrorless cameras, GFX100S’s imaging sensor is approximately 1.7 times larger and is enhanced to be incredibly sensitive to light. This provides it with a significant advantage over smaller sensors when it comes to producing images with incredibly shallow depth of field, fantastic dynamic range, faithful colour reproduction, and outstanding high-ISO performance.

Fujifilm’s expertise in colour science is legendary among image makers. For more than 86 years, Fujifilm has been responsible for some of the world’s most iconic photographs and movies. GFX100S gives you access to this wealth of experience at the touch of a button, powered by one of the world’s most widely acclaimed digital colour processing engines. With a choice of 19 exclusive FUJIFILM Film Simulation modes, it is easy to achieve fantastic colour straight out of camera. The GFX100S includes a new Film Simulation mode to explore - Nostalgic Neg. Reminiscent of American New Colour Photography, which emerged in the 1970s, Nostalgic Neg continues this movement by expanding the boundaries of photographic creativity through the deliberate use of colour. Its unique tonality adds an amber tone to highlights for a softer look and boosts saturations to shadows, while preserving details, to deliver a lyrical feel to images.

High-Performance mirrorless AF made for large format, even in low-light

Unlike many other large format and medium format cameras, on-sensor phase detection pixels cover almost 100% of GFX100S’s imaging sensor, unlocking a level of autofocus performance never before seen in large format digital photography. This means the camera can acquire focus in as little as 0.18 seconds, even in luminance levels as low as -5.5EV*4, making it versatile, accurate, and incredibly fast. Powered by X-Processor 4, the camera is also easily able to efficiently make use of an updated focus tracking algorithm to keep subjects in focus when using the Tracking AF and Face/ Eye AF functions.

*4 When using the FUJINON Lens GF80mmF1.7 R WR

Compact 5-axis in-body stabilisation delivering up to 6-stops of vibration reduction

GFX100S features a newly designed in-body image stabilisation (IBIS) system, which dramatically broadens the capability of photographers to confidently create handheld images. Compared to the unit found in FUJIFILM GFX100, the IBIS mechanism inside of GFX100S is 20% smaller and 10% lighter. However, despite this reduction in size, the five-axis system provides 6-stops of CIPA-rated image stabilisation, a 0.5-stop improvement over GFX100.

High-performance; designed for portability and the elements

At 900g and measuring 15cm wide, 10.4cm tall, and 8.7cm deep, GFX100S’s compact body is comparable in size to many full-frame cameras. However, despite its compact size, it is somehow still able to pack in a high-performance IBIS and a 102MP imaging sensor that is almost twice the physical size of a typical full-frame sensor. The GFX100S features a redesigned shutter unit and a brand-new IBIS unit, while taking advantage of a smaller, but very efficient lithium-ion battery. This results in a camera body that is approximately 6cm (2.3in) shorter and 500g (1.1lb) lighter than the GFX100, but is able to maintain the same level of stills and video performance despite being smaller. To that end, the reduction in GFX100S’s physical size is well balanced by a highly robust grip, with a comfortable in-hand feel, that makes it exceptionally easy to hold for extended periods of time.

GFX100S is made to operate in temperatures as low as -10°C and to be dust- and moisture-resistant. It is also constructed with a magnesium alloy casing that is purposely denser around the lens mount by 1mm compared to GFX100, which provides added support for larger G Mount lenses.

Intuitive controls for a familiar experience

GFX100S features controls that will be familiar to both new and existing GFX System photographers. For example, a PASM dial, with six programmable custom options, provides quick and direct access to frequently used settings, while a switch, conveniently located next to the mode dial, lets users quickly change between still and movie mode. An ergonomic update to the Focus Lever also makes choosing a focus point both easy and fluid.

The camera features a 3.2-inch LCD monitor on the rear and a 1.8-inch sub LCD monitor on its top plate, which can be customized to show key EXIF settings - like shutter speed, aperture, ISO sensitivity and exposure compensation - and set to display the status of key functions or available capacity on storage media. The 3.2-inch, touch-capable LCD display is a 2.36-million-dot monitor with 100% coverage that can be tilted in three directions (90° up, 45° down, and 60° right).

A large format system delivering smooth 4K30P video

With its large format imaging sensor, GFX100S is capable of recording incredibly cinematic 4K/30p movies that feature incredible shallow depth-of-field, impressive high-ISO performance, wide tonal gradation, and an overall image quality that is unmatched. Footage can be recorded at bit rates of 400Mbps in a variety of different quality levels, from 10-bit 4:2:0 F-log internally to an SD card, to 12-bit 4:2:2 ProRes RAW through the HDMI port.

In addition to being able to record 4k footage in a 16:9 aspect ratio, the GFX100S also supports a 17:9 aspect ratio, frequently used in digital cinema. The most commonly used compression codecs, like H.264 and H.265 are also available. Additionally, professional standards, like the REC.2100 supported Hybrid Gamma Log (HLG), or F-Log can be selected for complete creative control. Compared to using commonly available compression codecs, like H.264, recording footage in F-Log or HLG gives filmmakers much more flexibility in post-production as footage is brought through the editing and colour grading process and adjustments are made to luminance, colour saturation, or any other image attribute.

For maximum flexibility with image-based adjustments and colour grading option, GFX100S can also record 4K/30P footage in 12-bit RAW, via HDMI, directly to an Atomos Ninja V Recording Monitor to later be output as ProRes RAW. This allows for all decisions about the image to be made after production, in post, free from in-camera processing. Simultaneous output of RAW footage and footage in F-Log or Hybrid Log Gamma (HLG) with a Film Simulation mode applied is also possible.

Specifications:

Model name

FUJIFILM GFX100S

Lens Mount

FUJIFILM G mount

Image sensor

43.8mm×32.9mm Bayer array with primary color filter

Number of effective pixels

102 million pixels

Sensor Cleaning System

Ultra Sonic Vibration

Image Processing Engine

X-Processor 4

Storage media

SD Card (-2GB)

SDHC Card (-32GB)

SDXC Card (-2TB)

UHS-I

UHS-II

Video Speed Class V90

*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.

File format of still image

DCF

Compliant with Design rule for Camera File system (DCF2.0)

JPEG

Exif Ver.2.3.2

RAW

16bit / 14bit RAW (RAF original format)

TIFF

8bit / 16bit RGB (In-camera Raw Conversion Only)

*Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing

Number of recorded pixels

[L]

4:3

11648 x 8736

3:2

11648 x 7768

16:9

11648 x 6552

1:1

8736 x 8736

65:24

11648 x 4304

5:4

10928 x 8736

7:6

10192 x 8736

[M]

4:3

8256 x 6192

3:2

8256 x 5504

16:9

8256 x 4640

1:1

6192 x 6192

65:24

8256 x 3048

5:4

7744 x 6192

7:6

7232 x 6192

[S]

4:3

4000 x 3000

3:2

4000 x 2664

16:9

4000 x 2248

1:1

2992 x 2992

65:24

4000 x 1480

5:4

3744 x 3000

7:6

3504 x 3000

Sensitivity

Still Image

Standard Output

AUTO1

AUTO2

AUTO3

ISO100~12800 (1/3 step)

Extended Output

ISO50

ISO25600

ISO51200

ISO102400

Movie

Standard Output

AUTO

ISO200~12800 (1/3 step)

Extended Output

ISO25600

Exposure control

TTL 256-zone metering

Multi

Spot

Average

Center Weighted

Exposure mode

P (Program AE)

A (Aperture Priority AE)

S (Shutter Speed Priority AE)

M (Manual Exposure)

Exposure compensation

Still

-5.0EV~+5.0EV 1/3EV step

Movie

-2.0EV~+2.0EV 1/3EV step

Image stabilizer

Mechanism

Image sensor shift mechanism with 5-axis compensation

Compensation Effect

6.0 stops

*based on CIPA standard

*Pitch/yaw shake only

*With GF63mmF2.8 R WR lens mounted

Digital Image Stabilization

Yes (movie mode only)

IS MODE BOOST

Yes (movie mode only)

Shutter type

Focal Plane Shutter

Shutter speed

Mechanical shutter

P mode

4sec. to 1/4000sec.

A mode

30sec. to 1/4000sec.

S/M mode

60min. to 1/4000sec.

Bulb

up to 60min.

Electronic shutter

P mode

4sec. to 1/16000sec.

A mode

30sec. to 1/16000sec.

S/M mode

60min. to 1/16000sec.

Bulb

up to 60min.

*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.

Mechanical + Electronic shutter

P mode

4sec. to 1/16000sec.

A mode

30sec. to 1/16000sec.

S/M mode

60min. to 1/16000sec.

Bulb

up to 60min.

*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.

E-front + Mechanical shutter

P mode

4sec. to 1/4000sec.

(GFX: Electronic Front Curtain Shutter)

A mode

30sec. to 1/4000sec.

S/M mode

60min. to 1/4000sec.

Bulb

up to 60min.

*Electronic front curtain shutter works until 1/1250sec.

*When using the electronic front curtain shutter, the continuous shooting supports CL only

E-front + Mechanical + Electronic shutter

P mode

4sec. to 1/16000sec.

(GFX: Electronic Front Curtain Shutter + Electronic Shutter)

A mode

30sec. to 1/16000sec.

S/M mode

60min. to 1/16000sec.

Bulb

up to 60min.

*Electronic front curtain shutter works until 1/1250sec, Mechanical shutter works until 1/4000sec.

*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.

*When using the electronic front curtain shutter, the continuous shooting supports CL only

Movie

DCI4K/4K

1/4000sec. - 1/4sec.

FHD

1/4000sec. - 1/4sec.

*Cannot choose slower shutter speed than framerate with LongGOP recording.

Synchronized shutter speed for flash

1/125sec. or slower

CH

Electronic shutter

2.9fps

??????

JPEG

64 frames

Compressed RAW

23 frames

Lossless compressed RAW

18 frames

Uncompressed RAW

15 frames

CH

5.0fps

??????

JPEG

42 frames

Compressed RAW

16 frames

Lossless compressed RAW

15 frames

Uncompressed RAW

14 frames

CL

2.0fps

??????

JPEG

Endless

Compressed RAW

45 frames

Lossless compressed RAW

22 frames

Uncompressed RAW

16 frames

*Electronic Front Curtain Shutter support CL only.

*Recordable frames depends on recording media

*Speed of continuous shooting depends on shooting environment and shooting frames

Drive Mode

AE Bracketing

2 frames

3 frames

5 frames

7 frames

9 frames

*by 1/3EV step, up to ±3EV steps

Filmsimulation bracketing

Any 3 types of film simulation selectable

Dynamic Range Bracketing

100%

200%

400%

ISO sensitivity Bracketing

±1/3EV

±2/3EV

±1EV

White Balance Bracketing

±1

±2

±3

Focus Bracketing

AUTO

MANUAL

Multiple Exposure

Yes (Max. 9 frames)

Additive

Average

Bright

Dark

Pixel Shift Multi Shot

Yes

Focus

Mode

Single AF

Continuous AF

MF

Type

Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)

Low-light Performance

Contrast

-2.5EV

GF80mmF1.7 attached

Phase Detection

-5.5EV

GF80mmF1.7 attached

AF frame selection

Single point AF

13x9 / 25x17 (Changeable size of AF frame)

Zone AF

3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid

Wide/Tracking AF

Yes (AF-S: Wide / AF-C: Tracking)

All

Yes

Face/eye detection

Yes

Flash

Sync. Mode

1st Curtain

2nd Curtain

AUTO FP (HSS)

When SHOE MOUNT FLASH is set

TTL (TTL AUTO / STANDARD / SLOW SYNC. )

MANUAL

MULTI

OFF

Hot shoe

Yes (Dedicated TTL Flash compatible)

Viewfinder

EVF

0.5 inch OLED Color Viewfinder

Approx. 3.69 million dots

Coverage of Viewing Area vs. Capturing Area

Approx. 100%

Eyepoint

Approx. 23mm (from the Rear End of the Camera's Eyepiece)

Diopter Adjustment

-4~+2m-1

Magnification

0.77x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1

Diagonal Angle of View

approx. 38° (Horizontal angle of view: approx. 30° )

Built-In Eye Sensor

LCD monitor

3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor

Aspect Ratio

4:3

Dots

Approx. 2.36 million dots

Touch Screen Mode

Shooting Mode

AF

Focus Area

OFF

Double Tap Setting

Touch Function Setting

EVF Touch Screen Area Setting

Playback Mode

Swipe

Pinch-in / Pinch-out

Double-tap

Drag

Sub LCD monitor

1.80 inch Monochrome LCD Monitor

Aspect Ratio

4:3

Dots

303x230-dot

Movie recording

File format

????????

MOV

MP4

????

MPEG-4 AVC/H.264

HEVC/H.265

Audio

Linear PCM / Stereo sound 24bit / 48KHz sampling

AAC

Movie compression

All Intra / Long GOP

?All Intra can be used with following settings.

  DCI4K/4K 29.97p/25p/24p/23.98p 400Mbps

  Full HD(2048x1080) / Full HD(1920×1080) 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps

DCI4K(17:9)

File size

4096×2160

29.97p

25p

24p

23.98p

Bitrate

400Mbps

200Mbps

100Mbps

Recording time

Up to Approx. 120min.

4K(16:9)

File size

3840×2160

Frame rate

29.97p

25p

24p

23.98p

Bitrate

400Mbps

200Mbps

100Mbps

Recording time

Up to Approx. 120min.

Full HD(17:9)

File size

2048×1080

Frame rate

59.94p

50p

29.97p

25p

24p

23.98p

Bitrate

200Mbps

100Mbps

50Mbps

Recording time

Up to Approx. 120min.

Full HD(16:9)

File size

1920×1080

Frame rate

59.94p

50p

29.97p

25p

24p

23.98p

Bitrate

200Mbps

100Mbps

50Mbps

Recording time

Up to Approx. 120min.

*For recording movies, use a SD memory card with UHS Speed Class 3 or higher.

*For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher.

*Recording movies in 400Mbps can be done with DCI4K/4K 29.97p/25p/24p/23.98p.

*Recording time can become short depending on the temperature and/or shooting conditions

Film simulation mode

19 modes

PROVIA/Standard

Velvia/Vivid

ASTIA/Soft

Classic Chrome

PRO Neg.Hi

PRO Neg.Std

Classic Neg.

Nostalgic Neg.

ETERNA/Cinema

ETERNA BLEACH BYPASS

ACROS

ACROS + Ye Filter

ACROS + R Filter

ACROS + G Filter

Black & White

Black & White + Ye Filter

Black & White + R Filter

Black & White + G Filter

Sepia

Monochromatic Color

Yes

Grain Effect

Roughness

STRONG, WEAK, OFF

Size

LARGE, SMALL

Color Chrome Effect

STRONG, WEAK, OFF

Color chrome Blue

STRONG, WEAK, OFF

Smooth Skin Effect

STRONG, WEAK, OFF

Dynamic range setting

Still

AUTO / 100% / 200% / 400%

ISO restriction

DR100%: No limit, DR200%: ISO200 or more, DR400%: ISO400 or more

Movie

100% / 200% / 400%

ISO restriction

DR100%: No limit, DR200%: ISO400 or more, DR400%: ISO800 or more

White balance

Auto

White Priority

Auto

Ambience Priority

Custom

Custom1 - 3

Color temperature selection

2500K~10000K

Preset

Fine

Shade

Fluorescent Light-1

Fluorescent Light-2

Fluorescent Light-3

Incandescent Light

Underwater

Clarity setting

±5 steps

Self-timer

10sec.

2sec.

Interval timer shooting

Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)

Wireless transmitter

Standard

IEEE802.11b/g/n (standard wireless protocol)

Encryption

WEP/WPA/WPA2 mixed mode

Access mode

Infrastructure

Bluetooth®

Standard

Bluetooth Ver. 4.2 (Bluetooth low energy)

Operating frequency (Center frequency)

2402?2480MHz

Terminal

Digital interface

USB Type-C (USB3.2 Gen1x1)

HDMI output

HDMI Micro connector (Type D)

Others

ø3.5mm, stereo mini connector (Microphone)

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